El Nuevo Herald Review: Los dobleces de la historia, Geandy Pavón y José Manuel Mesías

An insightful review from Cuba’s El Nuevo Herald on the current exhibition at the gallery Geandy Pavón: Political Fold // José Manuel Mesías: About the Absolute Truth:

> Read the full review here. 

'Chained Liberty', 2016, Geandy Pavon. Acrylic and oil on canvas 30 x 40 inches. Mindy Solomon Gallery

‘Chained Liberty’, 2016, Geandy Pavon. Acrylic and oil on canvas 30 x 40 inches. Mindy Solomon Gallery

“Both exhibitions are composed of a dozen works each, elegantly distributed in the space of the gallery. There is a thematic similarity: the interest in historical memory from two different perspectives. The first emphasizes the consequences of the story in the individual consciousness of the artist, that is, in history with capital letters; while the second delves into the intimacy of memories, but at a much more concrete, personal, everyday level.”

Kobayashi & Pagk: Art Circuit’s CRITIC’S CHOICE

We are honored that Osamu Kobayashi and Paul Pagk were selected as one of May’s five Critic’s Choice features by Claire Breukel on Art Circuits this week. This show was a beautiful union of two artists who share a love of the materiality of paint, the delights of vibrant color, and the varieties of spatial experience found in abstraction.

Check out the Art Circuits homepage this month for featured images by Kobayashi and Pagk. You can read more about the exhibit here.

Screen Shot 2016-05-10 at 3.17.32 PM Screen Shot 2016-05-10 at 3.17.40 PM Screen Shot 2016-05-10 at 3.18.02 PM

The Miami Rail Review // Ezra Johnson + Frederic Snitzer

A thoughtful review in the Miami Rail of Ezra Johnson’s Cut Rate Paradise and Frederic Snitzer’s Mumbo Jumbo recently in the gallery:

>> Read the full review here.

“Its contrast of muddy washes and drippy pop colors along with the jury-rigged support structures epitomize the aesthetics of life along and around Highway 41.”

DSC00237

Ezra Johnson // Untitled // 2015 // 48 x 72 inches // Oil and pastel on canvas

“His works have an effortless manner that can sometimes make art seem like a little work of magic, as in the floor piece, Homage to Rafa (2015).”

Fredric Snitzer // Homage to Rafa 2015 64 x 32 x 13.5 inches Mixed media

Fredric Snitzer // Homage to Rafa // 2015 // 64 x 32 x 13.5 inches // Mixed media

Roberto Gomez in Miami

Back in June we posted about new gallery artist Roberto Gomez making waves in the Miami art scene. We are thrilled to have Roberto with us at Mindy Solomon Gallery. Check out this glowing review of his June solo show “What Happens When Nothing Happens,” and this beautiful spread of his feature in Ocean Drive magazine:

OD_Art-Full_May15_Gomez-2 OD_Art-Full_May15_Gomez-1

Review // Art Ltd. Magazine // Trophies and Prey

This summer, gallery artists Kate MacDowell and Wookjae Maeng participated in a group exhibition at Peters Projects in Santa Fe, New Mexico, entitled “Trophies and Prey: A Contemporary Bestiary,” curated by noted ceramics scholars Garth Clark and Mark Del Vecchio. We were thrilled to see the work represented in Art Ltd.

Congratulations, Kate and Wookjae, on this well-deserved praise!

artltd-nov15-500_1024x1024art-limited-nov2015

“The Way We See It” named “Best of Post-Basel”

Both the Miami Herald and the Miami New Times have named “The Way We See It” one of the best shows open post-Basel week.

The Miami Herald calls the Mindy Solomon Gallery exhibition a “strong photography show, with the work of Scot Sothern leaving the most searing portraiture.” Both the Herald and Miami New Times applaud the gallery’s move to Little River.  Thank you to both publications for your support!

// The Way We See It is on View through December 11th //

Scot Sothern // Baby Boomer // 2011 // 11 x 17 inches // Pigment print

Scot Sothern // Baby Boomer // 2011 // 11 x 17 inches // Pigment print

Ali Smith // Fever Pitch in Boston Magazine

Our current show by LA-based artist Ali Smith, Fever Pitch, is a fall pick in Boston Magazine—and her Miami debut!

“Ali Smith’s lively, fractured oil-on-canvas compositions evoke a feeling of celebration.” -Boston Magazine

Read the full article here.  The first exhibition in our space at Little River, Ali’s large scale and intimate gestural paintings are juxtaposed with Alejandro Contreras’s new collection of abstract mixed media works, This Wasn’t What We Asked For, which appear in our new venue’s Project Space.  Don’t miss this bold show, on view through October 16th.

boston-magazine-logo

Screen Shot 2015-09-18 at 11.29.13 AM